| License: Creative Commons Attribution 4.0 PDF - Published Version (333kB) |
- URN to cite this document:
- urn:nbn:de:bvb:355-epub-580879
- DOI to cite this document:
- 10.5283/epub.58087
Abstract
In this article I analyze two events the former German–American Institute Regensburg hosted as performances. By examining the exhibition “Native American Traditions” and a week-long series of events titled “The Status of the African American in the Development of American Culture,” I contend that transnational cultural performances can both engage with stereotypical and appropriated knowledge ...

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