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Two unnoticed pieces of medieval polyphony

URN to cite this document:
urn:nbn:de:bvb:355-epub-255531
Hiley, David
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Date of publication of this fulltext: 01 Aug 2012 06:07


Abstract

The two pieces introduced and briefly discussed in this article have so far remained unnoticed because of the manner of their notation. In each case pieces of two-voice polyphony were notated with the two voices separate, instead of in the score notation which has been usual since, roughly, the second half of the twelfth century. In the one case, the sequence Magnus deus in universa terra in a ...

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