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- URN to cite this document:
- urn:nbn:de:bvb:355-epub-255531
- DOI to cite this document:
- 10.5283/epub.25553
Alternative links to fulltext:DOI
Abstract
The two pieces introduced and briefly discussed in this article have so far remained unnoticed because of the manner of their notation. In each case pieces of two-voice polyphony were notated with the two voices separate, instead of in the score notation which has been usual since, roughly, the second half of the twelfth century. In the one case, the sequence Magnus deus in universa terra in a ...
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